Please use this identifier to cite or link to this item: https://dspace.qou.edu/handle/194/2577
Title: الأسلوبية البنيوية في القراّن الكريم " السماء ، الأرض ، الجبال أنموذجاً"
Authors: سناء محمد أحمد دراغمه
Issue Date: 2018
Publisher: جامعة القدس المفتوحة/Al-Quds Open University
Abstract: The Holy Qur’an captivates me in its language, style, and significance every time I go through it, as the astounding miracles and rhetoric language included within, for the Holy Qur’an is a way of life and its aspects. The study aims to observe the major cosmic transformation (the Sky, Earth, and Mountains); in correspondence to a structural perspective that studies the transformations from the context of structure, precision, and stability to deconstruct, imprecision, and instability. The study progresses according to structural layout as the following 2nd, 3rd, and 4th chapters are distributed on two subjects, which constitutes the duality establishment of structuralism and deconstruction. The study proceeds by a prefacing that views the concept of structuralism and its types. Its chapters were divided by 4 chapters accordingly: 1st chapter: Presents the image of Sky, Earth, and Mountains in the beliefs and culture of humans. 2nd chapter: Studies the transformation of the image of Sky throughout the layout of Structuralism and Precision (rupture, thickness, crochet, revert) to the layout of Deconstruction (crack, split, collapse) this transformation embodies a stylistic cosmic duality which forms a phenomenon holding an indicative, aesthetic, and miraculous dimension 3rd chapter: Studies the indicative transformation in the image of Earth throughout a structural perspective from the context of stabilization in life to its opposite context, which came to be due to the scenery of Judgment Day, and the forming of these indicative transformations for the image of Earth duality, stability and alteration. 4th chapter: Takes the indicative transformation in the image of Mountains which is embodied in the duality of stability (solidity, and demise). It is a stylistic phenomenon that is distributed on the scenery of Earth’s creation and its stability, and the scenery of Judgment Day, in which mountains are nothing, but a mirage, carded wool, and sand dunes. Finally, I end this in a conclusion that summarizes the results of this research, and the observation that I’ve reached, I found they are close to being right. Keywords: Stylistic, Structural, Earth, Sky, Mountains, Structure,Deconstruction.
URI: https://dspace.qou.edu/handle/194/2577
Appears in Collections:Arabic Language and Literature - اللغة العربية وآدابها

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