DSpace Collection:https://dspace.qou.edu/handle/194/24782023-06-11T01:26:36Z2023-06-11T01:26:36ZPalestine in Radwa Ashour's OeuvreZiad Jawad Diab Al-Atawnehhttps://dspace.qou.edu/handle/194/27212022-05-09T09:00:42Z2022-01-01T00:00:00ZTitle: Palestine in Radwa Ashour's Oeuvre
Authors: Ziad Jawad Diab Al-Atawneh
Abstract: This MA Thesis aims at showing Palestine portrayal in Radwa Ashour's oeuvre in its critical and narrative achievements and its biographical aspect that reinforced the intellectual realm to the Palestinian Cause . Consequently, this study came in three chapters and each chapter Consists several elements. In Chapter One which is titled: Critical Visions by Radwa Ashour in the Novels of Ghassan Kanafani has five subdivisions. The first: The 1948-Nakba (Disaster) and the dispossession of Palestinians in Kanafani's hat All That's Left to You. The second, exile in Kanafani's Men in the Sun. The third, the Armed Revolution in Kanafani's Um Sa'ad. The fourth, the Intellectual Revolution in Kanafani's The Blind and the Deaf. The fifth, the Influence of Human Thought on Kanafani. The Second Chapter is titled: Palestine portrayal in the Intellectual Realm by Radwa Ashour. It has three subdivisions. First, The Human Space. The second, the literary and intellectual Space. The third, the Political Space. The Third Chapter which is titled (The Incarnation of Palestine in the Narrative Speech) is distributed into three sections: First, the portrayal of the Second Palestinian Intifada in the novel Part of Europe. Second, the Refugee Portrayal in Ashour's Tantourieh. The Third, is the aesthetic portrayal.
This study arrived at several important findings. The most important by Radwa Ashour who envisioned that Ghassan Kanafani in his novella Men in the Sun does not only narrate/represent the actions of some Palestinian personaes but exceeds that and portrays a realistic Palestinian vision. Ashour emphasized Kanafani's epistemological realm, as an exiled author, at his intellectual height. She also highlights the struggle role of the Palestinian intellectual Edward Said. Moreover, Ashour documented in her novel Tantourieh, the tragic and catastrophic consequences of Palestinian refugees and she aesthetically incarnated the Palestinian tragedy.2022-01-01T00:00:00ZThe Aesthetics of plastic Art in literary discourseMaryam Ghassan Sami Yassinhttps://dspace.qou.edu/handle/194/27152022-04-12T07:48:00Z2022-01-01T00:00:00ZTitle: The Aesthetics of plastic Art in literary discourse
Authors: Maryam Ghassan Sami Yassin
Abstract: The study aims to monitor the semantic relationship between plastic painting and literary discourse in the modern era by adopting the semiotic approach in analysis. The study consisted of a preface and three chapters. The modern preface dealt with the synergy of the arts, the integration of knowledge, and the relationship between plastic art and literature. However, the first chapter, entitled "Semantic interrelationship between textual thresholds and content of literary discourse” was divided into three sections: The first section: The semantic relationship between the textual thresholds, the second: the relationship of the cover with the content of the literary discourse, and the third: the relationship of the title to the content of the literary discourse. The second chapter was marked as "plastic art in poetic discourse" divided into two sections. The first: is the effect of plastic painting on the poetic text. The second: is the effect of the poetic text on plastic painting. Finally, the third chapter, entitled "plastic art in the narrative
discourse," is divided into two sections: firstly, the dialectical relationship between plastic painting and fictional art. Secondly: the dialectical relationship between plastic painting and biography.
The study came out with a set of results, the most important of which are: The cognitive and psychological fluctuations of the cover are inseparable from the space of the title of the literary discourse and its content. The cover is a natural extension of them, and the manifestation of plastic painting in poetic texts gives us an artistic space that links the words of the poetic text with the plastic painting by revealing the semantic relationship between them. Then, the dialectical relationship between plastic painting and the art of the novel creates a semantic continuity which leads to the interaction of the visual space with the centrality of the narrative body; adding semantic dimensions that the text acquires in its interaction with the space of the plastic painting, or vice versa.2022-01-01T00:00:00Z" الذّات، والآخر في أدب غَسان كنفاني، و ابرهام يهوشع- אברהם ב. יהושע "سمر سُليمان مَحمود غَيثhttps://dspace.qou.edu/handle/194/27092022-04-06T07:30:00Z2021-01-01T00:00:00ZTitle: " الذّات، والآخر في أدب غَسان كنفاني، و ابرهام يهوشع- אברהם ב. יהושע "
Authors: سمر سُليمان مَحمود غَيث
Abstract: This study entitled "The Self and the Other in the Literature of Ghassan Kanafani and אברהם ב. יהושע" deals with examples of Ghassan Kanafani's novels and אברהם ב. יהושע.
The aim of the study is to identify the cause of the Palestinian-Israeli conflict since its inception, and the impact of this conflict on the Palestinian and Hebrew literary text. The study was taken from the writer Ghassan Kanafani, אברהם ב. יהושע examples of the application.
Then comes the second chapter, the Palestinian ego and the Israeli ego, comprising three main topics. The first topic: the concept of personality, linguistically and idiomatically. The second topic: the ego (the Jewish-Israeli self) (the lover המאהב - opposite the forest מול היערות) at אברהם ב. יהושע The third topic: The Palestinian Ego according to Ghassan Kanafani.
Then comes the last chapter, entitled the Palestinian one with Ghassan Kanafani and the Israeli one with אברהם ב. יהושע It includes two main topics, the first topic: the Palestinian ego's view of the Jewish other, and the negative dialogue in a novel returning to Haifa, and the second topic: the Arab end in the novels of אברהם ב. יהושע2021-01-01T00:00:00Zالذات والآخر في الأدب العبري والعربي _ أبراهام يهوشوع، وعليّ المقري أنموذجاًجوهرة أسعد كامل حمرانhttps://dspace.qou.edu/handle/194/27082022-04-06T07:27:15Z2021-01-01T00:00:00ZTitle: الذات والآخر في الأدب العبري والعربي _ أبراهام يهوشوع، وعليّ المقري أنموذجاً
Authors: جوهرة أسعد كامل حمران
Abstract: يتبادل هذا البحث موضوع الذات والآخر في الأدبين العربي والعبري المترجم من خلال رواية (اليهودي الحالي) لعلي المقري، و(رواية العاشق) لأبراهام يهوشوع، التي قد اعتمدت منها ترجمة محمد حمزة غنايم لرواية العاشق، وليس المصدر الأصلي العبري، نظراً لعدم معرفتي باللغة العبرية، حيث تناولت الدارسة الموضوع من خلال تمهيد، وثلاثة فصول، وخاتمة.
تناول التمهيد، الحديث عن مفهوم الذات والآخر لغة واصطلاحاً، كما تناول عن مفهوم الذات والآخر في علم النفس وعلم الاجتماع، وتناول الحديث عن نشأة الذات والآخر، وتوضيح أهمية معرفة الذات والآخر.
وتناول الفصل الأول جذور الذات والآخر وصياغته عند الإسرائيليين، وتناول الفصل الثاني، الصراع العربي الإسرائيلي في الأدب من خلال تناول الذات والآخر عند كل منهما.
بينما تطرق الفصل الثالث إلى الذات والآخر، من خلال مقارنة بين الروايتين، فقد تم أخذ جزئيات معينة من كلا الروايتين، والمقارنة بينهما في ثنائيتي الواقع والمتخيل، والتشابه والاختلاف، وقد تناولت الباحثة هذه الثنائيات في التحليل لتصل إلى نتائج تثري الرسالة.2021-01-01T00:00:00Z